Dissonant Melody from an Architectural Book Illustration Legend
As everyone else, I got busy with the codex. I am currently reading (more accurately just read) “CCP: Cosmic Communist Constructions Photographed” by Frédéric Chaubin (www.taschen.com/pages/en/catalogu…_photographed.htm). I had to turn back a number of pages to find some text: “light consisting of orbiting spheres and the extraordinary solar fusion sculpture”. One character too many – I hope no one minds!
The extraordinary solar fusion sculpture can be found here: 4.bp.blogspot.com/-nkfMgjC8EzY/TfN…aLipiene_web.jpg
The resultant “melody” is not what you would call a harmonic masterpiece, but I used a combination of Soniccouture’s Geosonics and Xtended Piano to create a fairly exotic lead track. A heavily effected Battery rhythm and Kontakt Darabuka patch completed the Ableton Live session. Some granular delay was thrown over a couple of the tracks to create a drone bed. Apologies for the length. I wanted each note to be a half note and I also wanted some space for the rhythm track to breath. It was mixed in Logic Pro.
This week’s project takes as its source a comment attributed to the author Ford Madox Ford: “Open the book to page ninety-nine and read, and the quality of the whole will be revealed to you.” We will convert text from page 99 of various books into music.
Step 1: Pick up the book you are currently reading, or otherwise the first book you see nearby.
Step 2: Turn to page 99. Confirm that the page has enough consecutive text in it to add up to 80 characters.
Step 2a: If the page is blank or otherwise has no text, turn to page 98. Continue this process of moving backward through the book until your find an appropriate page.
Step 2b: If you are reading an ebook that lacks page numbers, or a book that happens to lack page numbers, then use the first page of the main body of the book (i.e., not the Library of Congress information or the table of contents) or flip to a random spot/page in the book.
Step 3: When you have located 80 consecutive characters, type them into a document on your computer or write the down on a piece of paper.
Step 4: You will turn these characters into music by following the following rules:
Step 4a: The letters A through L will correspond with the notes along the chromatic scale from A to G#. To convert a letter higher than L, simply cycle through the scale again (i.e., L = G#, M = A, etc.). Capital letters should be played slightly louder than lowercase letters.
Step 4b: Any spaces and any dashes/hyphens will be treated as blank, as a silent moment.
Step 4c: A comma or semicolon will signify a note one step below the preceding note.
Step 4d: A period, question mark, or exclamation point will signify a note one step above the preceding note.
Step 4e: All other punctuation (colon, ampersand, etc.) will be heard as a percussive beat.
Step 5: Record the piece of music using a digital or analog instrument.
Step 6: Set the pace for the recording to between 160 and 80 beats per minute (BPM). In other words, the track should be between 30 and 60 seconds in length.
Step 7: Add any desired underlying music or sound bed, and any additional instrumentation, but the melody resulting from Step 6 should be the most prominent sound.
More on this 97th Disquiet Junto project, in which music is decoded from a phrase in a book, at:disquiet.com/2013/11/07/disquiet0097-page99remix/
More details on the Disquiet Junto at: soundcloud.com/groups/disquiet-junto/info